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65 results found for "film"

  • How Motion Control Makes Tron: Ares a Powerful New Visual Experience

    Joe Gillard Film and TV Aug 12, 2025 Tron: Ares is the third installment of Disney's Tron franchise. The film stars Jared Leto, Greta Lee, Evan Peters, Hasan Minhaj, and other, as well as engineers, cinematographers In an interview SISU Cinema Robotics, the company responsible for motion control robotics on the film Films make use of robotics and motion control to capture interesting or difficult shots, allowing the “We had some shots in our film where we had Jared Leto laying on his back and a 12-inch probe lens half

  • Big Animation Dreams Mean Big Storage Needs

    Vancouver-based boutique animation studio outgrew its consumer-grade storage when it took on bigger projects for film Vancouver-based boutique animation studio outgrew its consumer-grade storage when it took on bigger projects for film Edited by EE Staff Film and TV Nov 17, 2025 Od Studios (Vancouver, BC) started as a boutique visual effects studio with an aim to produce full length animated feature films using the latest technology and production Today, in addition to films, Od Studios also works on TV series and commercials.

  • New Fast & Furious Roller Coaster Puts Thrill Seekers in the Driver's Seat

    vehicles, modeled after the cars driven by some of their favorite Fast & Furious characters in the film The coaster is meant to allow riders to experience the energy and thrill of the films’ street racing splashed across an interior brick wall and will depict the finale street racing scene in the original film The design inspiration for the four ride vehicles come straight from the films. It is recognized as one of the most memorable cars in the film franchise.

  • Bringing The Mandalorian's Gadgets to Life

    together to see if they can recreate devices only found in comics, television shows, and in superhero films together to see if they can recreate devices only found in comics, television shows, and in superhero films Edited by Terry Persun Film and TV Aug 4, 2026 In Chapter Six of The Hacklorian series, Hacksmith Industries For information: Protolabs Hacksmith Industries Read more about film and TV >>> Previous Facebook LinkedIn

  • High-Tech Camera and Software Capture the Speed of the French Grand Prix

    The documentary was filmed entirely with the new Blackmagic URSA Cine Immersive camera and finished in dual 8160 x 7200 (58.7 Megapixel) sensors at 90fps, delivering 3D immersive cinema content to a single file “It made us more reactive in a fast-changing environment, giving us more agility while filming.” With 8TB of internal storage, recording directly to the Media Module, the crew could film more than two “Filming with the URSA Cine Immersive camera and viewing it in Apple Vision Pro, we found incredible

  • Mandalorian and Grogu Featured in New Update to Ride at Star Wars: Galaxy’s Edge

    Terry Persun Stage Events Jun 8, 2026 Film and TV Visitors of Star Wars: Galaxy’s Edge at Disneyland This debut coincides with the premiere of Lucasfilm’s new film, “Star Wars: The Mandalorian and Grogu “Collaborating with Lucasfilm to launch this new mission alongside the film has been incredibly exciting Software Integration The attraction was developed in collaboration with Industrial Light & Magic (ILM In addition to using Unreal Engine 5, Walt Disney Imagineering worked with the film’s crew to leverage

  • Creativity on a Monstrous Scale

    Entertainment Engineering talks with the best-known and most highly respected special effects companies in the film Entertainment Engineering talks with the best-known and most highly respected special effects companies in the film Derek Wells Film and TV Jun 4, 2025 EE: First of all, how many men and women do you typically employ, Dave: We typically run four to six television commercials and two to four feature films at one time.

  • How VFX Motion Designer Mehdi Hadi Creates Cinematic Realism in Dystopian Scifi Worlds

    Nadia Yangin Film and TV Aug 18, 2026 Games What remains in the rubble of a technology-driven world run himself, over time, people started calling him a “director” simply because he was already creating entire films Hadi started studying how films were lit, framed, and paced, which reshaped the way he eventually built I wanted the film to feel like a memory itself: detailed but incomplete, beautiful but damaged.” And if they’re still thinking about it after the film ends, then I’ve succeeded.”

  • WATCH: One-on-One with Joe Rando of Rando Productions

    conversation with Joe Rando on how teams of creative engineers bring entertainment to life in stage, film conversation with Joe Rando on how teams of creative engineers bring entertainment to life in stage, film

  • Hi-Tech Cameras Used to Shoot TV Drama

    Terry Persun Film and TV Jun 19, 2025 Blackmagic Design recently announced that the ABC TV and TV Asahi was shot on Blackmagic URSA Mini Pro 12K and Blackmagic Pocket Cinema Camera 6K Pro digital film cameras The series was filmed using SIGMA 18-35mm and 50-100mm cinema lenses.

  • Hydraulic Gimbal Aids Iron Man’s Motion Control

    the motion of Iron Man props during street fight scenes with Iron Man’s nemesis, Iron Monger Parker Film “We developed and built it during the course of filming and used it to help bridge the character into the digital world of ILM and John Nelson. For the gimbal, the film’s Director Jon Favreau relied on Parker’s D81FH and BD101 valves.

  • How a Bob Moses Concert was Live Streamed to Twitch

    duo Bob Moses used an end-to-end production pipeline that featured seven Blackmagic PYXIS 12K digital film cameras and a URSA Cine 12K LF digital film camera, which allowed the production to leverage matching Butter Creations is currently in post-production on a full-length concert film for the Bob Moses show Even working with multiple 12K camera files in a multicam timeline, playback on our MacBook Pro M2 Max

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