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Subscribe to Entertainment Engineering Subscribe to Entertainment Engineering Subscribe to Entertainment Engineering 1/2 Mechanical Articles focusing on Actuators, Assemblies, Bearings, Brakes & Clutches, Claps, Conveyors, Couplings, Fans, Fasteners, Linear Slides, Machining, Mechanical Components, Mounting Components, Packaging Systems, Pipes & Tubes, Pulleys and Sprockets, Seals, Shafts & Axles, Snap Rings, Springs, Stamping, and more. Filming 'The Odyssey' in IMAX Required Ingenious Design Fixes Solving the challenges of camera noise and face-to-face interactions took some thoughtful engineering, but made all the difference in the final product: the very first one-hundred percent IMAX technology film. Read More Simulating Zero Gravity in Royal Caribbean International's New High-Tech Stage Performance Astronaut Clayton C. Anderson informed the new show 'Flight,' which features the first-ever stage replica of the International Space Station. Read More New Fast & Furious Roller Coaster Puts Thrill Seekers in the Driver's Seat The 'Fast & Furious: Hollywood Drift' ride at Universal Studios Hollywood features groundbreaking, computer-managed 360-degree rotation technology designed to create the seamless sensation and physics of drifting cars. Read More A Smooth Train Ride Requires a Smooth Track — Which Can't Be Achieved Without Precise Rail Grinding Technology Keeping train tracks smooth and efficient takes a heavy-duty grinder that operates with precision and efficiency. Read More Window Glass on Public Transportation Hinders Cell Service — Until Now A Swiss startup — known for its process that makes glass permeable to telecommunication frequencies — requires the right components to create their revolutionary technology. Read More Exploring a Completely Silent Anechoic Chamber Without any sound to distract you, you can hear your heart, lungs, and more — watch this video from Veritasium to explore what it's like to step inside an anechoic chamber. Read More How NASCAR's R&D Group Optimized Its Machining Processes with Next-Level Components Innovative tools help to make NASCAR manufacturing of parts faster, more efficient, and of higher quality. Read More Prototypes Played a Crucial Role in Development of Tabletop Cricket Game Before a full-scale model could be manufactured, prototyping focused on smaller, more manageable designs allowing for greater creativity while keeping costs down. Read More Innovative Pins Used in High-End Cosmetics Cases Small details like easy-to-use cases with squeak-free hinges enhance the high-end makeup experience. Read More To Capture Fast-Moving Subjects, Photographers Need the Right Equipment Gimbal fluid head enables smooth, shake-free panning without micro-jitters for perfect shots. Read More Interview with Legacy New Tech for Yachts Subscribe to EE Mag! Interview with Legacy 1/3 Subscribe to Entertainment Engineering Subscribe to Entertainment Engineering Subscribe to Entertainment Engineering 1/2

Amusement machines require smooth, quiet, and reliable operation. Here are the motors that make that happen. Drive Solutions for Arcade Machines Amusement machines require smooth, quiet, and reliable operation. Here are the motors that make that happen. Edited by EE Staff Mini Story Nov 3, 2025 If you’re looking for field-proven solutions for a range of amusement machines, consider the company that provides motors for a wide range of coin pushers and claw machines. Parvalux motors have been specified by amusement machine and arcade equipment manufacturers with machines found in over 80 countries. Key factors for these types of machines include smooth, quiet and reliable operation aimed at providing the best user experience. Claw machines need to offer smooth, controllable operation and coin-drop machines a similarly smooth function. These machines require component that require minimal maintenance to reduce downtime, and lower total cost of ownership. For unique applications, the company also offers semi-custom and custom drive solutions. To help you select the right modular motor, Parvalux has an easy to use selection tool available. Check it out here . Previous Facebook LinkedIn Copy link Next

Tailored to TED’s high-stakes live event environment, the new communications upgrade provides robust, real-time capabilities across both on-site and remote production teams. Complex Communication Needs at TED's Live Events Require Seamless Comms Tailored to TED’s high-stakes live event environment, the new communications upgrade provides robust, real-time capabilities across both on-site and remote production teams. Edited by EE Team Stage Events Oct 27, 2025 TED Conferences LLC recently partnered with Clear-Com® to enhance its live production capabilities through a custom intercom solution centered on the Arcadia® Central Station communications platform. Clear-Com’s Applications team, represented by John Ferrante, led the installation at TED’s New York production facility, configuring an end-to-end system designed to support the complex communication needs of TED conferences. The Arcadia Central Station, upgraded to the latest firmware release, was integrated with an extensive suite of FreeSpeak II® digital wireless products, IP transceivers, wireless beltpacks, and remote connectivity via Clear-Com’s Gen-IC® virtual intercom. All photos courtesy of TED Conferences LLC. As part of the upgrade, TED also transitioned from its legacy analog wired intercom to the HelixNet® Digital Network Partyline System. This configuration streamlined on-demand communications across multiple teams, making the system adaptable for both live shows and distributed production workflows. The heart of TED’s new communications system integrates seamlessly with its existing network, allowing Clear-Com equipment to connect with other audio systems across the venue with minimal latency and pristine audio fidelity. Integrated IP and Dante-enabled channels further expand TED’s ability to manage communications in real time. This setup enables TED to retain established communication flows while introducing the flexibility and scalability of Arcadia as the organization gradually transitions to its new infrastructure. Gen-IC adds another layer of remote connectivity to TED’s operations. Six IVC links connect remote team members directly into TED’s on-site Arcadia infrastructure, delivering seamless integration between local and remote participants. This functionality is supported by an LQ® Series IP Interface connected to the Gen-IC Cloud, which provides TED’s production team with dynamic control over both remote and local communications channels. Gen-IC’s ability to easily integrate remote users has been transformative, enabling TED to remain agile while maintaining the highest standards of audio quality. All photos courtesy of TED Conferences LLC. Through on-site training, TED’s team can now configure channels, assign users, and manage remote links, providing a future-proofed system that scales with the organization’s growth. This workflow reflects the unique challenges TED faces as a hybrid live event and content production organization, blending elements of broadcasting, streaming, and high-end meeting production—demands that resonate with today’s cutting-edge producers of corporate AV events. Clear-Com’s installation of Arcadia, along with the migration from analog to HelixNet digital wired comms, deployment of FreeSpeak II beltpacks, and integration of Gen-IC, equips TED with a flexible, reliable communication solution that supports the present and future demands of live event production, remote collaboration, and content distribution. This empowers TED’s talented team to deliver programming with greater efficiency and quality. For more information: Clear-Com TED Conferences Arcadia Central Station HelixNet Partyline System LQ Series Read more about stage productions >>> Previous Facebook LinkedIn Copy link Next

Musora’s Director of Production Josh Holliday uses Blackmagic Design’s products to better provide content to 10 million subscribers from over 100 global musicians. Reimagining Online Music Lessons to Change Lives Musora’s Director of Production Josh Holliday uses Blackmagic Design’s products to better provide content to 10 million subscribers from over 100 global musicians. Joe Gillard Music Jul 13, 2026 Learning to play a musical instrument can be a life-changing moment. Josh Holliday understands this as well as anyone. "My parents gave me a drum kit one Christmas many years ago. It was totally unexpected, but what was more surprising was the way music changed my life.” Holliday’s other interest is engineering. At Musora, a music e-learning platform, he oversees staff operating three fulltime studios, remote productions across the globe, and a post production pipeline for audio and large parts of video, as well as designing and building new studios. Pictured is Josh Holliday, Chris Young, David Tallarico. Photo credit Shane Miljevic. Images courtesy of Blackmagic Design. If you’ve spent time on YouTube trying to teach yourself how to play drums, guitar, or piano, you’re probably familiar with Musora, whose brands include Drumeo, Pianote, Guitereo, Singeo, and PlayBass. They have a combined 100 professional instructors offering lessons to over 100,000 active students. And if you’re more of a music listener , you might have seen one of their viral videos. In one viral video from Drumeo, Red Hot Chili Peppers’ drummer Chad Smith makes a beat on the fly to a rock song he’d never heard before. It has over 30 million views. But Musora says they remain driven by two simple goals. One is to create more musicians. And the other is to keep them playing longer. Musora has grown since its inception in 2015. So too has its video production pipeline, keeping pace with new studio builds, a growing set of lessons and social media content to support the platform. Josh Holliday and Chad Smith. Credit Shane Miljevic. Images courtesy of Blackmagic Design. Scaling up to meet growth demands Holliday describes how Musora’s platform growth creates new technology needs. To meet these demands, Musora’s team leaned heavily into Blackmagic Design’s suite of offerings, such as HyperDeck Studio 4K Pro, DaVinci Resolve Studio, and ATEM Mini switchers. “With this extra filming cadence and higher camera count, our reliance on a dependable video ingest workflow became vital. Leaning hard into the HyperDeck Studio 4K Pro really unlocked that speed and reliability we need,” said Holliday. Photo credit Shane Miljevic. Images courtesy of Blackmagic Design. Innovating with live, on-screen graphics The visual requirements of piano instructional videos is one example of how Musora’s team tackled a new challenge with both creativity and engineering. For the Pianote brand, online students are typically shown a picture-in-picture display which allows the viewer to see what keys the instructor is playing in real time. But the team soon found a better way to do this. “Originally, we placed a simple graphic above the piano but over time considered whether there was a better way,” said Holliday. “It was one of our engineers, Chris Young, who came up with a unique method to create real time highlights that live underneath the hands of the instructor. This would also reclaim valuable screen space on the image.” Pianote YouTube channel featuring Justin C. Gilbert. Images courtesy of Blackmagic Design. This innovation required some creative thinking, however. And an upgrade. “We originally had another ATEM, but we quickly found that we maxed out the outputs. The ATEM 4 M/E Constellation 4K was a major upgrade for quantity of inputs, scaling on every input, output count, and the internal functions we utilize,” explained Holliday. “Now, to achieve our PIP effect, we use several ATEM chroma keys and mix engines to isolate the layers, then recombine them to produce the final image. Given the ATEM has so many features built in, we were able to connect the tech with some creative thinking to make it work.” Blackmagic Design’s ATEM Constellation4 M/E Constellation 4K is a powerful HD and 4K live production switcher. ATEM Constellation includes advanced features such as DVEs, ATEM advanced chroma key, media players, multi-views, and SuperSource processors. Plus the built-in Fairlight audio mixer includes a compressor, limiter, 6 band parametric EQ, and expander on each input. Free ATEM Software Control is included, or you can add a number of advanced panels. All-in-one music learning app To further enable music education for curious learners, Musora began working on a comprehensive “play to learn” app. It aims to give people everything they need to go from nothing, to playing drums, piano, bass, guitar, and being able to sing. “Naturally, it required a lot of video content,” explained Holliday. “Which we filmed almost every day for a year. The content itself features many guest artists and specialists on their instruments.” Each lesson has up to eight camera angles to ensure students can see the most relevant visual being taught. To make this happen, the data stacked up quickly. This is where automated workflows came in. Automating the process “Leaning into an automated ingest workflow was essential to our success,” noted Holliday. “Not only were we capturing the new content, but we were also still producing our usual content for our YouTube channels.” Holliday met the need with Blackmagic’s HyperDeck Studio 4K Pro broadcast decks. 24 of them, in fact. HyperDeck Studio allows the user to record broadcast quality video files directly onto SD card and SSD media. After recording, media can be mounted on any computer to access the files using your favorite video software. The input then goes to the ATEM switchboard. Holliday outlined a typical workflow: “A drum lesson on our platform starts with about eight camera feeds. Two main talking angles, an overhead, a footcam and several side shots depending on the content. All signals go first to the HyperDeck for recording, then both the UHD loop out and 1080 status monitor output go to the ATEM 4 M/E Constellation 4K.” “At this point we are recording and seeing every input in the ATEM. The ATEM then feeds all the studio outputs, including the control room TVs, video engineer monitor and director of photography monitor, as well as feeds into the control room for the talent, including confidence monitor, displaying sheet music, an on-screen timer or scripts, and teleprompter feed.” “After filming, we simply run our automation pipeline to ingest all the media to our main server, do checksum and playback verification, and provide a report of the automation. This workflow is very impactful and was built custom by Hriman and Tugrul from our in-house IT team. We still manually verify content as a last safety measure and to also review any lighting or visual aspects for tweaks before repeating the record process the next day." Josh Holliday and John Stamos backstage at The Beach Boys, LA. Credit John Stamos. Images courtesy of Blackmagic Design. What’s next for Musora? Holliday said Musora will be working with Phil Collins, John Stamos, and other well-known musicians and celebrities in the future. No doubt these people will lend more viral potential and mainstream visibility to the platform. But Holliday strongly believes Musora’s initial purpose remains as true as ever and will guide the company and their brands moving forward. “...At the heart of it all is that it’s all in the name of making more musicians and keeping them playing longer,” he said. And Holliday knows personally, still recalling how his first drum set, that gift from his parents, was the catalyst that made him who he is today. “Being part of a company that seeks to do the same for others is truly inspiring.” For information: Blackmagic Design ATEM 4 M/E Constellation 4K HyperDeck Studio 4K Pro Lead photo: Pictured is Josh Holliday. Photo credit Shane Miljevic. Read more music related articles >>> Previous Facebook LinkedIn Copy link Next

PC-based technology provides highly precise motion control and synchronization for all types of entertainment applications — including indoor attractions, signage, and more. "Flying Theater" has Spherical Projection Screen with Synchronized Effects for Immersive Experience PC-based technology provides highly precise motion control and synchronization for all types of entertainment applications — including indoor attractions, signage, and more. Edited by EE Staff Attractions Apr 3, 2026 Like many of the coolest applications, innovations from one industry are used in another industry to solve unique challenges. For example, Founder and Managing Director of Simtec Group, Bernd Kaugmann, used his extensive flight simulator expertise to enter the market for automobile component testing systems as well as entertainment applications. Today, custom-tailored motion simulator systems from Simtec can be found in entertainment theme parks, 4D theaters, and museums around the world. With its development of Screenflite®, Simtec has entered the digital signage field as well. Resembling a kinetic piece of art, the media information system catches people’s attention in airport terminals, train stations, or shopping malls. Simtec’s next generation of indoor attractions includes its Hexaflite® Flying Theater. The moving platform, featuring six degrees of freedom, is surrounded by a spherical projection screen with a diameter of up to 23 meters. After spectators have taken their seats, the platform tilts into a vertical position so that the audience sits directly in front of the giant screen. Linear acceleration ranging from ±0.7 g and ±1 g and rotations of ±15 to 20 degrees around all axes and the perfect synchronization with the projected images and special effects combine to generate a spectacular, highly dynamic flight-like experience that fully immerses the audience in the screen action. The moving platform is controlled by a Beckhoff CX5140 Embedded PC with a multi-touch Control Panel and TwinCAT 3 automation software. The nearly unlimited network expandability of EtherCAT and the high data transmission rate make it the ideal fieldbus system for such a large-scale project. According to Christian Spoer, Team Leader Software Engineer, “EtherCAT branching makes any network topology possible. Simtec also takes advantage of the redundancy supported by EtherCAT.” The complex safety solution for the motion system is based on approximately 100 digital TwinSAFE terminals in IP20 and local TwinSAFE I/O modules in IP65. In addition, four EL6910 TwinSAFE Logic terminals are incorporated and communicate with each other as well as with the higher-level CX5140. The signal and interface diversity of the Beckhoff I/O modules allowed the company to integrate the stage lighting control via DMX terminals as well as the compressed air measurement with appropriate measurement modules. Simtec has developed the closed-loop control technology for this application in-house in C++. Since TwinCAT 3 supports the C++ programming language, Simtec’s entire motion control programming was easily integrated into the TwinCAT 3 automation software and run in real time. The user interface of the Hexaflite® system is another proprietary Simtec solution developed in C++. Kinetic Digital Signage With its Screenflite® system, Simtec has entered a new market. The modular media information system, which weighs 5.3 tons, consists of three circular rotating levels. Each ring holds four LED screens, each with a surface of two square meters, that can be moved approx. 1.1 meters in and out with scissor arms and rotated with or against each other. Based on highly dynamic choreography, the LED screens move toward each other and separate again to form various combinations or shapes consisting of two, three, four, or six screens in rapid order. In addition, the flat screens on the upper and lower rings can tilt vertically. The mechanical design ensures that the screens don’t collide with each other. On each of the 12 screens, media content can be played in sync with the screens’ motion. Since the motion sequences are determined through programming, sequences in line with the system’s 20 degrees of freedom are possible. The kinetics are freely programmable and can be adapted by the operator’s content designer. “From a control perspective, the digital signage system is our most complex product,” says Christian Spoer. The greatest challenge lies in the precision of the various motion control speeds and their perfect synchronization. The three rings that move the LED screens via their scissor arms are not linked mechanically but communicate via Wi-Fi using TCP/IP (via ADS). Power and emergency OFF signals are transmitted via slip rings. Each ring uses an ultra-compact C6015 Industrial PC with an Intel Atom® quad-core processor that functions as an EtherCAT master to control the movements of the four screens. Because of their high performance, one of these IPCs can handle the synchronization of all three rings over Wi-Fi. The motion control runs in a C++ module with a linked PLC. “We programmed the axis control algorithms and the synchronization of the motion sequences that integrate into TwinCAT 3. The TwinCAT NC library provides the closed-loop controller and profile generator,” adds Christian Spoer. To control all 27 PTP axes on the digital signage system’s three levels, one- and two-channel EtherCAT servo drives from the AX5000 series, with integrated safety functionality, are used. To control the smaller motors for rotating the monitors, Simtec uses EL7201 servo terminals with One Cable Technology (OCT) connection because their compact design works perfectly in the limited space available. Simtec has used control technology from Beckhoff in multiple projects. The option to employ both centralized and decentralized PC-based control technologies works great for the company and is an important prerequisite for many applications. *Images courtesy of Beckhoff. For information: Beckhoff Simtec Group Read more about signage >>> Previous Facebook LinkedIn Copy link Next

Welcome to our series on how companies solve customer challenges through creative innovation. We spoke with Cloward H2O about how they work with its customers through the design process while providing expert direction based on years of experience and expertise. Start with a Project Vision: How Cloward H2O Moves Customers from Concept to Creation Welcome to our series on how companies solve customer challenges through creative innovation. We spoke with Cloward H2O about how they work with its customers through the design process while providing expert direction based on years of experience and expertise. EE in Conversation with: Corry Cloward, P.E., President/Principal Allen Clawson, P.E., Managing Partner/Principal Dan Aldred, Associate Principal/Senior Engineer Innovation Jun 29, 2026 Welcome to Entertainment Engineering magazine’s series where we ask companies to explain their approach to solving customer problems. We recognize the value of transferring technology and design innovations from one industry to another and believe that it all starts with those initial conversations. Here’s how Cloward H2O works with its customers. About Cloward H2O: Founded in 1977, Cloward H2O has specialized in recreational aquatics since 1985, developing a more diverse and wide range of aquatic expertise than any other firm. We are a global leader in aquatic engineering, designing world-class water parks, pools, fountains, interactive features, and marine life support systems. Cloward H2O has designed many of the world’s foremost aquatic leisure and marine facilities including the world’s deepest pool and other world’s largest and first of its kind facilities. We specify leading edge technology in design, filtration, chemical treatment, ozonating, pool edges and other integral components to each project we undertake. Perfecting all aspects of water, our end goal is to design safe, clean, and clear water for everyone to enjoy. That is Water Perfected. For this series, we spoke with Corry Cloward, P.E., President/Principal; Allen Clawson, P.E., Managing Partner/Principal; and Dan Aldred, Associate Principal/Senior Engineer. Ideas: Understanding the Challenge Customer approach and provided Information Customers usually come to us with a project vision or problem statement — often a napkin sketch or basic concept for an aquatic feature or water system. They typically share whatever data they have (site layouts, performance requirements, water quality or capacity goals, budget limits, timeline, and any regulatory requirements). In practice, the process is smoother when clients can clearly articulate success criteria (e.g. target flow rates, clarity, or occupancy goals) and provide complete site/operational data upfront. Knowing the end goals and constraints from the outset, along with any creative aspirations, helps our team focus quickly on the right solutions. When we decide to use a unique or innovative approach Cloward H2O turns to custom solutions for every project. A lot of competitors in the various industries Cloward H2O competes in more or less practice ‘cookie cutter’ approaches. The Cloward team starts from scratch every time applying proven engineering principles. Each is assessed for client goals and site constraints — developing a specialized design that aligns with the vision. In short, off-the-shelf methods don’t apply, we innovate every time. This is why Cloward H2O receives the world-first projects and very unique challenges other firms turn down, such as the deepest pool in the world, a giant waterfall volcano with slides through it, the first slides through a shark aquarium, and much more. The Cloward team starts from scratch every time applying proven engineering principles. Response policy and procedure Once a challenging need is identified, we define and validate the problem by confirming the data, required regulations, and site limitations. Then we assemble the right team. We engage cross-functional experts early on in the process and apply rigorous in-house standards at each design review. For example, we have evolved internal checklists and best-practice standards covering structure, piping, electrical, and safety. This ensures that every solution is technically sound and compliant before proceeding. Go/no-go decision factors We assess feasibility by balancing performance, cost, risk, and value. Key questions include: Can the solution meet technical and regulatory requirements? Does it fit the budget and timeline? What are the failure risks? Projects “demand precision” — if we cannot confidently achieve the objectives reliably, we go back to the client with the reality of physics. We often say we can engineer anything you want as long as it applies the laws of physics, and you understand the budget. Successful projects have a clear path to meeting the client’s needs sustainably; if the scope is unachievable (for example, due to an unrealistic budget or excessive technical risk), we make sure there is a resolution before moving forward. Innovation: Working Together Aligning expectations early Alignment starts with clear communication and shared metrics. We hold kickoff workshops or design charrettes so everyone (engineers, architects, owners) agrees on scope, key constraints, and success criteria. Cloward’s engineers, for instance, “review project designs as early as possible to ensure these don’t violate the laws of physics.” By addressing major assumptions up front and establishing measurable goals, we ensure priorities and desired outcomes are mutually understood from the start. . . . you might see civil, structural, mechanical, electrical, hydraulic, and controls engineers working alongside architects, landscape designers, and specialty consultants. Collaborating across disciplines Challenging projects typically involve multidisciplinary teams. In a large aquatic project, for example, you might see civil, structural, mechanical, electrical, hydraulic, and controls engineers working alongside architects, landscape designers, and specialty consultants. These teams collaborate closely through integrated design sessions and shared models. For instance, when designing a resort lagoon, Cloward H2O is included as the aquatic engineers, then there are always MEP engineers and geotechnical experts, and sometimes even specialists like wave-system or AV consultants. Each discipline’s input is coordinated through regular design reviews so that hydraulics, water treatment, structural layout, etc., all fit together smoothly. Turning constraints into opportunities We view constraints as design drivers , not roadblocks. For example, building in a desert climate forces us to innovate on water reuse and efficiency. Cloward has developed lagoon and waterpark systems that minimize evaporation, recycle water, and use energy-efficient pumps. Tight budgets or schedules also spur creative solutions, such as modular design phases or alternative materials that cut costs without sacrificing performance. In our experience, once the team treats each constraint (cost, time, regulations, space) as a catalyst, it often leads to simpler, more elegant solutions that add value. We view constraints as design drivers, not roadblocks. What drives creativity High stakes and novel challenges push the team to think outside the box. When a project has zero margin for error — like the 60-meter-deep dive pool where any failure would be catastrophic — the engineers responded with extensive simulation and testing to innovate safe solutions. Similarly, new guest experiences (like custom wave rides) or sustainability goals demand fresh thinking. Our engineers explore new technologies and creative configurations daily. Constantly exploring new technologies and ways to improve systems. Role of AI AI is an emerging tool in engineering, but it hasn’t gotten to the point where it is efficient, effective, or reliable for aquatic engineering processes. Therefore, Cloward H2O has not used AI for any process work yet. Cloward H2O is remaining apprised of new developments in the technology and testing features to stay on the curve when it becomes a viable ‘team player.’ On another note, many of the technologies we specify use data-driven simulation and IoT monitoring (e.g. sensors on pumps and filtration systems), and AI is enhancing predictive modeling and controls in aquatic systems. So, AI is being leveraged for analytics and system performance optimization/maintenance planning, in aquatic systems to better serve owners and operators. Execution: Mindset and Lessons Learned Maintaining communication and alignment Consistent and clear communication is key. Cloward emphasizes clear communication channels and a well-defined scope every time to keep everyone on the same page. We hold regular status meetings and design reviews with the customer and all stakeholders. Any changes or issues are documented and shared quickly. Keeping stakeholders updated at each milestone, we strive to keep the customer’s vision aligned with the project as it evolves. Resilience and momentum The toughest challenges often come from unexpected obstacles — unknown site issues, regulatory changes, or supply delays. Cloward’s strategy is to break big problems into smaller steps and apply proven methods for each. For example, we use a “cautious approach” and strict best practices in construction, so when problems occur, the team can fall back on tried-and-true engineering standards. Having a robust design review and issue-tracking process also helps the team quickly recover from setbacks. What makes a customer an effective innovation partner The best customers are engaged, transparent, and collaborative . They share complete information (site data, operational goals, constraints) and provide timely feedback. We are grateful to have clients and partners that go to bat for us and with us. Everyone has a part to play in these great projects. In other words, customers who actively participate in problem-solving — by asking questions, attending reviews, and trusting the engineering process — become true partners. This mutual commitment to the project’s success makes innovation smoother. Key team mindset for success A solutions-oriented, safety-first mindset underpins everything. Cloward’s engineers prioritize engineering quality and sustainability as central values. We approach projects thinking “long-term reliability” — focusing on safety and durability needs. The team’s attitude is one of rigorous practicality: we combine creativity with discipline, always validating ideas against standards and real-world constraints. This balanced, collaborative mindset (focused on clear water and clear outcomes!) is what ensures successful results in challenging projects. *Images courtesy of Cloward H2O. For information: Cloward H2O Read more about Cloward H2O >>> Previous Facebook LinkedIn Copy link Next

Japanese drama uses multiple Blackmagic cameras and DaVinci Resolve Studio for grading. Hi-Tech Cameras Used to Shoot TV Drama Japanese drama uses multiple Blackmagic cameras and DaVinci Resolve Studio for grading. Terry Persun Film and TV Jun 19, 2025 Blackmagic Design recently announced that the ABC TV and TV Asahi network drama series “It's a Wonderful Teacher!” was shot on Blackmagic URSA Mini Pro 12K and Blackmagic Pocket Cinema Camera 6K Pro digital film cameras. Additionally, DaVinci Resolve Studio was used for grading the series. “It's a Wonderful Teacher!” is a television drama produced by ABC TV starring Erika Ikuta. The series depicts the struggles of a young high school teacher, Rio Sasaoka, from Generation Z. In the show, Rio experiences so much stress in her second year of teaching that she considers quitting. However, by addressing challenges in modern education and building relationships with her students, she gradually grows as an educator. According to cinematographer Akiyoshi Konno, who was in charge of shooting the series, "Since the story is set in a high school, there are more than 30 cast members in the classroom scenes. Because of this, we used a multi camera setup. The main camera was the URSA Mini Pro 12K, while the B and C cameras were Pocket Cinema Camera 6K Pros. We divided the classroom in half, first shooting one side of the students and then moving to the other." Konno continued, "It's rare to be able to shoot a TV drama in RAW in Japan, but since the goal was to achieve a cinematic look, I decided to shoot in 24P Blackmagic RAW. I personally own Blackmagic Design cameras, so I was already familiar with their ease-of-use and excellent color quality. Additionally, for a multi camera shoot, the Pocket Cinema Camera was an affordable option, which was also a key factor in choosing it." The series was filmed using SIGMA 18-35mm and 50-100mm cinema lenses. Practical lighting techniques, where light sources are visible within the frame, were also incorporated into the production. DaVinci Resolve Studio was used for grading. After completing the first episode, Konno attended the grading sessions to discuss skin tone adjustments and color emphasis. “Additionally, I created a LUT combining ARRI and Kodak LUTs in DaVinci Resolve and used it during the shoot," said Konno. Konno said that one of his favorite features of Blackmagic Design cameras is their easy-to-use false color function. “Given the time constrains of a TV drama production, it was incredibly useful for fine tuning colors and monitoring lighting levels,” he concluded. For information: Blackmagic Design: https://www.blackmagicdesign.com/ DaVinci Resolve: https://www.blackmagicdesign.com/products/davinciresolve “It’s a Wonderful Teacher: https://japan-programcatalog.com/en/program/itsawonderfulteacher Previous Facebook LinkedIn Copy link Next

A Swiss startup — known for its process that makes glass permeable to telecommunication frequencies — requires the right components to create their revolutionary technology. Window Glass on Public Transportation Hinders Cell Service — Until Now A Swiss startup — known for its process that makes glass permeable to telecommunication frequencies — requires the right components to create their revolutionary technology. Edited by EE Staff Cool Stuff Apr 27, 2026 As the world becomes increasingly more reliant on wireless technology in both professional and personal applications, wireless users continue to face certain unique challenges. Making calls or using data indoors can still be a hassle in many locations. This is especially true for those using public transportation like trains, where window glass greatly impacts wireless signals. While wireless signals have become stronger and more efficient in recent years, they still struggle to penetrate building materials, including insulated glass. This makes it difficult, and in some cases impossible, to get service. Everyday clear glass can reduce wireless signals by up to 4 decibels (dB), while coated glass can reduce signals by as many as 30 dB (x1000). This is especially a problem in public transportation vehicles like trains, where passengers may struggle to receive wireless signals at all. It is an issue faced by commuters worldwide, for which Swiss startup nu glass has developed a cutting-edge solution. nu glass’s revolutionary glass cutting pattern allows wireless signals to better penetrate windows. The engraving can be completed on-site without having to remove windows. Unique Glass Cutting Pattern Most glass is insulated with a thin metal layer invisible to the naked eye. nu glass uses a patented laser technology to engrave a pattern on this layer, allowing for wireless frequencies to penetrate the glass. This treatment can increase indoor signal by up to 1000 times. The etching is nearly invisible, and it has no detrimental impact on the glass, which keeps its original protective properties. nu glass uses a portable system to complete the engraving process, allowing them to visit customers on site. The system can engrave glass while it’s in place, preventing the costly and time-consuming process of removing and reinstalling individual panes of glass. The process is fast and efficient and can be applied parallel to standard maintenance, allowing for trains to keep on their schedule and return to service on time with enhanced connectivity. nu glass’s system is currently used exclusively on trains but could potentially be used on glass installed in buildings or other structures. KNF diaphragm pumps play an integral role in nu glass’s cutting process. Multiple N 838 pumps are used in suction plates, which help adhere the system to the window during the engraving process. The pumps allow for the precision process to take place with minimal vibration. The N 838 is an outstanding gas transfer pump option. It offers a maximum flow rate of 34 l/min with an ultimate vacuum down to 100 mbar (abs.). Also available are a variety of motor options, including brushless DC motors for energy efficiency. The N 838 has excellent reliability and operates oil free, preventing media contamination. KNF’s N 838 diaphragm gas pump plays a vital role in nu glass’ engraving system, holding it in place during the precision etching process. While finding the ideal pump for their system was important, nu glass wanted to make sure they were working with a partner that shared their values. A focus on quality and sustainability were key components of those values. It was also important for nu glass, which began its life at the EPFL Lausanne, to work with a local company. This made working with KNF, with multiple facilities in nearby cities and a strong presence in the community, a natural choice. KNF has locations in 24 countries and a commitment to collaborative pump design, which allows each location to serve their communities directly. * Images courtesy of KNF. For more information: KNF nu Glass N838 Order a Sample Pump Previous Facebook LinkedIn Copy link Next

Students at California State University, Chico, gained hands-on experience and technical expertise that will empower them to excel in real-world engineering and innovation roles. Students Design Versatile and Scalable Vehicle Students at California State University, Chico, gained hands-on experience and technical expertise that will empower them to excel in real-world engineering and innovation roles. Shannon William Vlaming Cool Stuff May 4, 2026 Design The vehicle platform was all about simplicity and precision. Designed for easy scalability, it used a skid-steer configuration, controlling the left and right wheels independently for unmatched off-road maneuverability. A compact single-board computer handled the drives with analog velocity commands, while a separate computer processed high-level commands, seamlessly controlling the vehicle's actuators over a wireless network. Engineering an initial design was about laying a solid foundation for success by combining creativity, precision, and problem-solving in order to deliver a streamlined, responsive system ready to tackle any terrain with ease. The student engineering team consisted of Laine Wood, Lars Bartels, William Kettle, and Adam Garza. Joshua Mirand was the Capstone Design Program Coordinator who oversaw the project. Images courtesy of California State University, Chico. Handling Multiple Drives As in any engineering endeavor, challenges and obstacles arose throughout each process. The main challenge was expanding control of the drives from discrete signals on the vehicle controller to network-based control over the drives. The existing setup relied on individual signals for each drive, which limited the flexibility and scalability of the system. To achieve a more efficient and dynamic control mechanism, the team aimed to transition to a network-controlled system that handled multiple drives simultaneously with more precision. Every challenge encountered along the way became an opportunity to refine the team’s ideas, strengthen the overall design, and build resilience. By embracing obstacles as part of the journey, engineers set the stage for innovative solutions and lasting impact. ADVANCED Motion Controls played a critical role in the vehicle's design. To ensure the platform could scale easily, Digiflex® Performance DPCANTE-060B080 and DPRALTE-060B080 servo drives were chosen for their versatility. These drives come in a wide range of amperage ratings and form factors, which allowed the team to use the same motion and control system whether they scaled the platform up or down. Images courtesy of California State University, Chico. Working with the Digiflex amplifiers informed AMC was a great experience. The software and documentation were straightforward, which made the integration process smooth. The team was able to get each of the drives controlling the motors within a few hours of unboxing them, which led to an efficient and seamless integration. According to Joshua Miranda, Senior Capstone Design Program CoordinatorCollege of Engineering, Computer Science, and Construction Management, “The performance of these drives met our expectations, expanding our control capabilities and opened up a wide range of possibilities for future developments. We are excited about the potential these new platforms bring and look forward to further advancements.” Images courtesy of California State University, Chico. Moving forward, the California State University Chico Engineering team made significant progress by getting two more vehicles up and running. The first platform is now ready for testing and is better suited for indoor navigation, incorporating 4 Digiflex® Performance DPRALTE-020B080 servo drives that are also used in the Motion and Machine Automation Course at Chico State. The second platform is a smaller vehicle utilizing RC components. The team is currently looking at implementing AMC drives for traction control. For more information: Advanced Motion Controls California State University Chico Read more about vehicle projects >>> Previous Facebook LinkedIn Copy link Next

Baseball speed and spin rates will be integrated into app and live broadcasts and used for recruiting. Capturing Ball Speed and Spin Rates with Radar for Live Broadcasts Baseball speed and spin rates will be integrated into app and live broadcasts and used for recruiting. Joe Gillard Sports Jul 7, 2025 Stalker Sport, manufacturer of sports radar technology, has partnered with AWRE Sports, who specializes in multi-angle video, data analytics, and live streaming products for baseball and softball. The partnership will integrate Stalker’s speed and spin rate data into AWRE’s app and live broadcasts. Also from EE: Electric Race Car Uses 3D-Printed Components While speed is a well-known pitch measurement, spin rate is the measure the amount of spin, in revolutions per minute, of a baseball or softball, which can affect the trajectory of a given pitch. Stalker Sport’s Pro S line is a handheld sports radar capable of capturing this measurement in addition to speed. With the AWRE partnership, baseball teams using the Pro 3s, Pro 3, or Sport 3 Connect can connect their radar with AWRE’s system, allowing pitch data to be displayed during broadcasts and logged in AWRE’s charting system. AWRE has developed a number of sports apps for athletes, schools, sports facilities, and other users. “At Stalker Sport, we’re always looking for meaningful ways to enhance the value of our technology for players, coaches, and scouts,” said Greyson Jenista, Product Manager for Sports Tech at Stalker Sport. “Partnering with AWRE Sports allows us to bring our trusted data directly into dynamic video and live streaming environments, making performance insights more accessible and impactful than ever before.” How do sports radar guns work? Radar guns for measuring pitch speed rely on Doppler Radar. Microwaves are directed at the ball (or any moving object) and the change in frequency is measured after it bounces off. As explained by OSU professor Todd Thompson, a radar gun, such as a police radar, “bounces a pulse of microwaves (or infrared laser light) of a known wavelength off a car or truck,” and then it measures the wavelength that is reflected back towards the gun. “The Doppler shift gives the vehicle's speed.” Measuring spin rate is more difficult, and Stalker boasts having the only sports radar gun that can do it. According to the company, “measuring ball rotation requires longer tracking of the ball’s flight, followed by a complex calculation determining ball spin.” A tool for recruiting The data will also include automated highlight reels that can be shared with college recruiters and coaches, the company says. “We are constantly seeking opportunities to integrate verified data our clients desire with video. Integrating the Stalker Gun, already a very valuable tool, directly into the AWRE Charting app was a no-brainer,” said Chris Clark, CEO of AWRE. “Stalker plus AWRE now allows coaches and scouts to automatically gather, tag and organize video and verified data. This integration presents a significant advantage for coaches, scouts, players, and prospects alike.” “This integration is just the beginning,” continued Jenista. “We’re excited about the opportunities ahead to innovate alongside AWRE and continue pushing the boundaries of what’s possible in athlete development, recruiting, and fan engagement.” Source: Stalker Sport Previous Facebook LinkedIn Copy link Next

Touch screen displays with an optical bond are designed to offer an improved viewing angle. Unique Optically Bonded Touch Display Improves Viewing Experience Touch screen displays with an optical bond are designed to offer an improved viewing angle. By Jim Spadaccini, Founder & Creative Director, Ideum Museums Aug 26, 2025 Cool Stuff Ideum has recently been integrating optically bonded 55-inch touch displays into our products. This includes optically bonded versions of the our popular Platform II and Drafting II touch tables, as well as their Presenter and Inline models—and their Tasting Table. Touch screen displays are comprised of a monitor and a touch sensor. In large-format displays, these components are usually separated by a small air gap. This is fine for many (even most) displays and configurations, but there are some instances where optical bonding improves the quality of the touch display. In this process, a clear adhesive is used between the touch sensor and the monitor, bonding the two components together. But what does this mean to the user? All photos courtesy of Ideum. Removing the air gap and replacing it with a transparent adhesive has several advantages. The first is that the display appears to be visibly brighter; this is due to removing any reflection that might occur from the surface glass. In addition, the viewing angle of the display is greatly improved since the display and sensor glass are effectively one, bonded unit. There is no reflected light off the back of the sensor glass, making the integrated touch display brighter and clearer. All photos courtesy of Ideum. Bonded units don’t have issues with parallax, which is the perceived gap between the touch sensor and the display, again because they are bonded together. We have focused on the 55-inch model (and soon the 65-inch model) because they are the most popular, but also because this gap can be noticeable, and closing it improves the viewing quality of the display. Optical Bonding Benefits We’ve always taken pride in creating touch screen tables and displays that are practically indestructible. Our all-aluminum frames and chassis, and tempered glass, provide exceptional security and durability. Optically bonded displays are even stronger than their air-gapped counterparts! This makes sense as the clear adhesive bonds the display and sensor together. Optical bonding also makes it impossible to introduce dust or other particulate matter between the layers, making it perfect for challenging environments. The bonded touch display is also more resistant to spills (that’s why we use it for the Tasting Table). All in all, it is a superior product; the only downsides are that the manufacturing method is more involved and expensive, and the process inherently means that any flaws in the display or the sensor compromise the entire assembly. Air-gapped touch displays allow you to replace damaged components more easily, since those parts remain separate. Bonding is forever. Display Case Design Changes We’ve also improved the display’s case by creating a design that appears slimmer. Our patented manufacturing process for displays uses extruded aluminum as the frame making it appear sleeker and smoother. To create corners that don’t have fasteners, we designed 3D-printed metal corners that can be fastened to the extruded aluminum frames from the inside. The new design provides a better-looking profile and differentiates this new model from its predecessors. All photos courtesy of Ideum. This Fall, we will be announcing all of the available optically bonded models. They will be referred to as the Plus Series, since they appear across all of our offerings, from displays to various touch table formats. We will continue to offer all of our models, so the Plus Series will simply expand our offerings for our customers. For more information: Ideum Platform II Display Touch Screen Displays Previous Facebook LinkedIn Copy link Next

An insightful dialogue about what goes into designing something new and how it relates to other projects. WATCH: One-on-One with Chris Porter of igus An insightful dialogue about what goes into designing something new and how it relates to other projects. Videos Aug 11, 2025 Theme Parks In a casual conversation with the Industry Manager for Stage & Amusement in Central Florida for igus, Inc., Entertainment Engineering explores how closely designers get to their projects, how they start the process of designing something new, and how they are always working on several projects in several different industries at the same time. In this video, we show how creativity and inspiration can come from anywhere and how easily it can reshape a solution to fit a specific application. Whether working with off-the-shelf components or thinking up a completely off-the-charts custom approach, it’s all about brining your experience as well as an open mind to the table. Note to our audience: Technology Transfer DIY Stories Entertainment Engineering Magazine is looking for stories about your home projects where you take the technological experience you have at work and apply it to your home projects. I know engineers in aerospace who have rebuilt their lawn mowers, engineers in medical devices who built their own toy rocket. The spark of inspiration can come from anywhere. And once that spark is enflamed the design can morph and adapt along the way. We’re interested in your non-work-related projects. What are you designing at home, for yourself or a neighbor or relative? Is it a Halloween project? A Christmas project? Or just a backyard thing you’re working on? Here’s what we’d like to see: 1) What got you thinking about the project in the first place? 2) What is your background and why you thought you could tackle the project? 3) What technologies did you use (electrical, electronics, mechanical, fluid power, materials, etc.)? 4) How does the end product work and how did it do what you needed it to? 5) Answer those four questions in less than 800 words (and focus on the tech), then send us your story, some photos, and even a video if you have one. We can’t publish every story, but we can choose a few a month to publish. If you want to read an example, check this out: You can reach us at: Contact@EntertainmentEngineeringMagazine.com Previous Facebook LinkedIn Copy link Next